- stanza
- quatrain
- couplet
- end-rhyme
- meter
- iamb
- iambic pentameter
- rhyme scheme
- imagery
- symbolism
- oxymoron
- enjambment
- end-stopped line
- half rhymes: alliteration, consonance, assonance
- simile
- metaphor
- personification
- onomatopoeia
- allusion
- idiom
Friday, December 20, 2013
Giant list of terms
For definitions, please scroll through older posts and/or check your notes!
Tuesday, December 17, 2013
Epic Rap Battles of History and Literature: Requirements
Today we officially began writing our rap battles.
MEANNESS/INAPPROPRIATENESS WILL NOT BE TOLERATED!! You can criticize your opponent’s character,
but not the real person. At all times,
you must remain school-appropriate and not use vulgarity.
You will be working and writing with your partner, although
you will make it look like you are pitted against each other in verbal battle. Decide who goes first.
Each partner has two
“rounds.”
Round 1 (25-30
seconds for each character) is an opening
gambit where the character boasts about their accomplishments (you may need
to research) and their skills in both their “life” and in their rapping
prowess. This should show your knowledge
of the character. Also, you may feel
free to begin to say why you are superior to your opponent, or why they are
inferior and will lose the battle. If
you are the second partner to go, obviously, you have a chance to respond to
anything that was said about you by your opponent.
Round 2 (15-20
seconds for each character) is a rebuttal
against what the other partner has claimed and a chance to insult the other
character’s accomplishments or skills for a second time. It’s your final say.
Your Rap Battle Must Include:
- · The typed poem/rap must be in “poetry format,” or broken into lines and stanzas.
- · You must include at least one allusion to Greek Mythology, the Bible, or some well-known story (aside from what the character is in).
- · The lines must be numbered.
- · It must include and identify at least one idiom
- · You have obviously used 10 of the poetic devices that we have learned in class.
- · A separate page identifies all the terms you used and where.
- · Your poem/rap must be split into two parts: an opening gambit, and a rebuttal.
- · It must demonstrate a clear understanding of the character - their personality and their real life accomplishments.
- · It must demonstrate an understanding of the opponent’s character
- · It must be edited and free of grammatical or punctuation errors.
Monday, December 16, 2013
Friday, December 13, 2013
I Hear America Singing
I Hear America
Singing
BY WALT WHITMAN
I hear America singing, the varied
carols I hear,
Those of mechanics, each one singing
his as it should be blithe and strong,
The carpenter singing his as he
measures his plank or beam,
The mason singing his as he makes
ready for work, or leaves off work,
The boatman singing what belongs to
him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on
his bench, the hatter singing as he stands,
The wood-cutter’s song, the
ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother,
or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or
her and to none else,
The day what belongs to the day—at
night the party of young fellows, robust, friendly,
Singing with open mouths their strong
melodious songs.
Caged Bird
Caged
Bird
BY MAYA ANGELOU
A free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wing
in the orange sun rays
and dares to claim the sky.
But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.
The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn bright lawn
and he names the sky his own
But a caged bird stands on the grave of
dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are
tied
so he opens his throat to sing.
The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
O Captain! my Captain!
O Captain! My Captain!
BY WALT WHITMAN
O Captain! my Captain! our fearful trip
is done,
The ship has weather’d every rack,
the prize we sought is won,
The port is near, the bells I hear,
the people all exulting,
While follow eyes the steady keel,
the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and
hear the bells;
Rise up—for you the flag is flung—for
you the bugle trills,
For you bouquets and ribbon’d
wreaths—for you the shores a-crowding,
For you they call, the swaying mass,
their eager faces turning;
Here Captain! dear father!
The arm beneath your head!
It is some dream that on the deck,
You’ve
fallen cold and dead.
My Captain does not answer, his lips
are pale and still,
My father does not feel my arm, he
has no pulse nor will,
The ship is anchor’d safe and sound,
its voyage closed and done,
From fearful trip the victor ship
comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
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